Greylevel


 

 

 

 

 

 

 

 

 

 

 

 

 

greylevel - opus one



(Reviewed 2/25/08)

Rating: 3-1/2 stars (out of 5)

Perhaps this is a band that will get labeled as another "Porcupine Tree clone," but I think Greylevel has some qualities that set it apart. Firstly, there are female vocals that add a very nice touch to this atmospheric album. This 3-piece group from Western Canada put out its debut album, Opus One, in 2006. Yes, this album has been out for awhile, but I haven't really "discovered" it until recently. I found it to be an overall very pleasant listen. Sometimes it can suffer a bit from "sameyness" but I would feel comfortable recommending it to anyone who likes atmospheric prog in the vein of Porcupine Tree's slower, spacey stuff, or its ilk. It's not a concept album, but rather a "thematic" album. According to the Greylevel website, its general theme is lost love and finding hope in looking beyond one's self. I find this a curious theme, considering 2/3 of the band is a married couple. :)

The first track, Sojourn, starts out as an atmospheric track, but actually builds to a nice mid-tempo mix of guitars and drums (programmed, but sounding pretty good), with keyboards setting a background texture by the middle of the song. Derek Barber and his wife, Esther, do a wonderful job with the vocals. Esther provides a pleasant, high-pitched harmony vocal. A good start to the album.

"Taken" is the second track and is a very down-tempo number that begins with a very sparse arrangement and is almost ambient music at times. It starts to build a bit about three minutes in with some nice acoustic guitar from Richard Shukin driving the song.

"Blue Waves" is the first of two epics on the album, clocking in at 16:52, and is the longest song on the album. Shukin's acoustic guitar introduces the song, and his work is one of the highlights of the album, for me. I suppose the early part of the song reminds one a bit of "Pigs on the Wing" by Pink Floyd. In true prog fashion, the band applies some non-musical sound samples in the music to give it a bit of texture. About four minutes in there is some wonderful piano work set against synths. After another vocal section, there is a very nice guitar solo and then a short part that sounds very Alan Parsons-ish, leading into the next verse. The song winds a bit, but it's a wonderful journey and this is probably my favorite track on the album, even though I feel it bogs down just a bit in the middle section.

Track 4 is "Your Light," a 9-minute 'mini-epic' that starts with a light keyboard wash and then Shukin's patented acoustic work. Derek Barber's vocals are consistent throughout the record, without much variation in range, but setting the appropriate mood. He does manage to hit some higher notes on this track than on the previous three, however. There's a nice piano/electric guitar duet about midway through this song.

"Possessing Nothing" is a 15-minute epic that starts to pick up the pace a bit. Up to  this point, the album has been very subdued, with a slow, moody feel. That doesn't mean to imply that the band starts rocking out here, but this song at least hits the mid-tempo range. Some of Shukin's guitar work on this song borders on a surf vibe, but it works nicely in the context of the song, and we've got Esther back with some wonderful harmonies, and even a few lines all to herself. If "Blue Waves" isn't my favorite song on the album, than this one is. Yeah, I waffle back and forth between them. Then again, I am known for my love of epics.

The album closer, "Rest," is the shortest song on the album, and an appropriate finish. It is sort of an ambient track, with some spoken word. I'm not certain if this is a clip from a movie or something, but it works well in the context of the album and the track. The track is primarily keyboards and closes the album quietly.

One thing I'd like to see on the next Greylevel release is to get Derek's vocals higher in the mix. They sometimes get a bit buried, as he sings softly throughout the album. I also think Esther could be utilized a bit more, as she's got a very pleasing voice. I think Opus One would appeal to many indie rock fans and those who like their prog full of atmosphere and space, rather than twiddly or filled with guitar wankery.

You can find out more about Greylevel on their website: www.greylevel.com and you can purchase their music through ProgRock Records by clicking here.